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- 書名:Guweiz: The Art of Gu Zheng Wei
- 作者:Gu Zheng Wei(炜炜 Guweiz)
- 出版社:3dtotal Publishing
- 出版日期:2020-09-15
- 語言:English
- ISBN10:1912843161
- ISBN13:9781912843169
- 裝訂:精裝 / 152 頁 / 22.86 x 2.03 x 30.48 cm / 普通級 / 初版
- 定價:US$ 42.99(博客來)
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● 蝴蝶頁邊角很像褪色的設計(不是瑕疵 😂) ↓
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20210505
其實應該早就要開箱了,當初趁著同事要湊 Amazon 免運就順道買了這本和《亞洲繪師精選插畫集 Asian Illustration》(封面也是由 Guweiz 繪製),結果因為疫情關係寄送到公司時就已經開始 work from home,拖到近期才去拿取。
不過有點小失望的是寄來的書一本左上邊角有嚴重損傷、另一本是書腰有破損,不太敢再買 Amazon 新書了,包裹的防護也沒做好。
● Asian Illustration 收錄 Guweiz 的篇幅 ↓
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硬殼精裝,書皮是很有質感的霧面、標題文字部分摸上去有細緻的顆粒感。
封面這張 witch 實在是深得我心,以及常常出現的元素:戴著帽子、發光耳環的女俠客題材也是我的最愛!
覺得畫中的人物彷彿會動一般,腦中能自動將刻畫精妙的神情與氛圍轉成動畫,大雪紛飛或是大雨滂沱,搭配上帽簷與螢光耳環隨風擺動,凝望它處的女子似乎沒注意到投向她的視線。
更多 Guweiz 的圖可以參考:Deviant Art
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● 招牌耳環來幾張都很喜歡 XD ↓
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其他作品主要是女孩與城市系列,搭配像是貓、樂器的元素。
![](https://i0.wp.com/artbookcollection.info/wp-content/uploads/2021/06/Guweiz-28.jpg?resize=517%2C388&ssl=1)
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● 還以為是全家的洗衣店 ↓
![](https://i0.wp.com/artbookcollection.info/wp-content/uploads/2021/06/Guweiz-26.jpg?resize=517%2C388&ssl=1)
作者 Guweiz 來自新加坡,透過自學成為如今厲害的插畫家,此書的英文文字可能就占了 1/3 的篇幅,許多是 Guweiz 的心路歷程以及關於創作的詳細介紹與教學(怎麼有辦法寫出這麼多內容啦 XD)。或許以純欣賞的角度來看圖量是少了一些,但對於有志於插畫創作的讀者就蠻有幫助的!
● 成長史很勵志呀 ↓
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書末有 28 頁是 3 幅作品的詳細解剖(witch、woods、plant shop),包括創作想法與流程細節。
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常常會有人拿 Guweiz 跟相似畫風的中國插畫家 WLOP 做比較,但我覺得不管是人物、場景的描繪,以及喜愛著重的題材都各有厲害之處,他們的作品我都非常喜歡~
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● 其實不知道為何要切成一格一格的(不同張也有)↓
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● 最後一頁 ↓
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官方介紹
Vimeo 影片:https://vimeo.com/394891845
來自新加坡的知名插畫師 Guweiz (炜炜),IG 擁有 80 萬粉絲的超高人氣,風格奇幻中帶點真實,深受日本漫畫影響。首部作品畫集網羅知名的作品,串聯起完整的創作面貌,介紹完美的風格譜系。
打從十七歲以來,Guweiz 透過 Youtube 學習繪畫技巧,網路上的動漫教程開啟無限的未來可能。憑著天賦,與獨特的繪畫風格,帶點真實世界的躁動不安感,擄獲大量的粉絲喜愛。透過本書,粉絲可以輕鬆地追隨插畫家的起步,深度理解他的狂想世界與都會城市的憂鬱。
畫集無私分享作品背後的理念與技法,還有場景背後的細節。不僅僅是視覺藝術,還有 3D 電繪所隱藏的秘密。深度剖析作品,手把手教你完整的繪圖技法與技巧,幫助你在作品中創造你想擁有的效果。
超過 152 頁的深度導覽,穿梭在 Guweiz 獨特的插畫世界觀中,超現實感的日系動漫風格,遊走在時而魔幻、時而真實的當代都市之中。
目次
- 006 – Introduction
- 008 Artistic Journey
- 036 – Gallery | Urban
- 052 – Routine
- 070 – Workflow
- 096 – Gallert | Fantasy
- 118 – Project Dissection
- 148 – Thank You
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作者簡介
Gu Zheng Wei(炜炜 Guweiz)
新加坡插畫家。
Digital artist Zheng Wei Gu began drawing at the age of 17 inspired by a YouTube tutorial teaching how to draw an anime face. Seven years later, he has never looked back, working on big-budget films such as Ghost in the Shell for Paramount, and has an impressive social media following. He is based in Singapore, working with art directors and other clients worldwide.
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